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Humanities

Hurrah!
Hurrah!

Jurij Pavlovich Annenkov

A Diary of my Encounters

Evreinov was occupied with the spectacle’s theatrical, dramaturgical side. Due to its immense size, the production was directed collectively: Evreinov was the director-in-chief, followed by Kugel, Petrov, Derzhavin, and myself. I also designed the scenery and the costumes. My stage sets spanned the entire width of Palace Square and reached up to the third floor of the General Staff. They consisted of two huge platforms (a White and a Red one), connected by a steep bridge. There were around 8,000...
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Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

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  • semiotics and semiology
  • science fiction
  • linguistics
  • communication
  • communication media
  • utopia

 

Topics
  • Wissen-Nicht-Wissen

    Wissen-Nicht-Wissen

    • history of knowledge
    • experiment
    • idleness
    • poetology of knowledge
    • ignorance and non-knowledge
    • literary studies
    • potentiality
    • astonishment
    • poetics
    • epistemology
  • Autofiction—Metafiction

    Autofiction—Metafiction

    • autobiography
    • fiction
    • memory
    • Theory of fiction
    • autofiction
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • semiotics and semiology
    • color
    • image and imagery
    • monochrome
    • chromatics / colour science
  • The Subject of Capitalism

    The Subject of Capitalism

    • subjectification
    • cognitive capital
    • migration
    • capitalism

 

How can withdrawal be represented?
How can withdrawal be represented?

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...

On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

How can withdrawal—meaning either that which withdraws itself, or which is being withdrawn—be represented, thus made visible and negotiable? This publication takes this paradox as its starting point, which remains present as a tension throughout. The book aims to draw constellations of different instances of withdrawal, ranging from passivity, failure, and refusal to disappearance and remembrance and to resilience and resistance. Understanding withdrawal as a concept that encompasses both cutting ties and reaffirming relations, the contributions collected here trace the...
  • protest movements
  • resistance
  • artistic practice
  • contemporary art